BlackPast.org sponsored in part by Lilly.com BlackPast.org sponsored in part by Lilly.com
Donate to BlackPast.org


BlackPast.org Blog

Blackpast.org in the Classroom/ border=

With Pride: The LGBTQ Page.

Major Office Holders

BlackPast by the numbers

Advertise with BlackPast.org

Advertise with BlackPast.org

BlackPast.org's Barack Obama Page

Robert Fikes's Corner

Clarence's Hollywood Blog

BlackPast.org Author's Corner

Please use this link to access all the books that have been written by BlackPast.org contributors. We urge you to support them by purchasing their publications. Also, any purchase of books on this list though Amazon.com, or of anything else the company sells, helps support BlackPast.org.  Give BIG on May 15, 2013  Explore the BlackPast in the Classroom

Gaye, Marvin Pentz, Jr. (1939-1984)

Image Ownership: Public Domain
Born on April 2, 1939 in Washington, D.C. Marvin Pentz Gaye, Jr. was named after his father, a minister of the apostolic church.  From a young age, the church played a large role in Gaye’s music career.  He began his musical profession in his father’s church choir and began playing the organ and drums.  After several years in the church, in 1957 Gaye left his father’s church and joined a group known as the Marquees.  After a year, the group was guided by the producer and singer Harvey Fuqua who inspired Marvin’s musical career.  When Fuqua moved to Detroit to further pursue his music, Gaye went with him.  In Detroit, Harvey was able to join forces with another music talent, Berry Gordon, where Gaye became a session drummer and soloist for the Motown Records label.

Shortly after in 1961, Gaye married Berry Gordon’s sister Anna Gordon.  During this same year, Gaye was also offered a solo recording record with Motown Records.  In the first year of his solo contract, Marvin was a jazz singer, but was soon persuaded to sing Rhythm and Blues (R&B).  His first hit single was “Stubborn Kind of Fellow” which became a top 10 selling hit on the R&B charts.  By 1965, Gaye became known as Motown’s best selling male vocalist and had added to the charts the famous song “How Sweet It Is (To Be Loved by You)” followed by two more number one selling R&B hits, “I'll Be Doggone” and “Ain't That Peculiar.” 

Over the years, Marvin Gaye, Jr. began to sing several duets with the leading ladies of Motown.  One of these ladies, Tammi Terrell became one of Gaye’s close friends but died in 1970 due to illness.  Gaye returned to solo work, which eventually produced his most successful “concept” album in 1971 which pursued environmental and anti-war protest themes among others. Some of the songs in his hit album included the number one hit “What’s Going On,” and “Mercy Mercy Me” and “Inner City Blues.” Gaye’s new style soon influenced black performers all across the nation. 

In the early 1970s Gaye sang more sexually explicit songs such as the 1973 hit “Let’s Get It On,” and nine years later in 1982, “Sexual Healing.”  Gaye’s music masked personal problems that increasingly plagued the singer.  He went through a bitter divorce from Anna Gaye in 1975 and moved to Europe to establish a new life in 1980.  When he returned to the United States in 1983, he moved in with his parents who were living in Los Angeles, and suffered an intense addiction to cocaine which left him unable to record any more albums.  Because of his depression and addiction, Marvin Gaye, Jr. was in constant conflict with his father Marvin Sr.  These conflicts eventually lead to his father shooting and killing him in self defense on April 1, 1984.

Sources:
Michael Eric Dyson, Mercy Mercy Me (New York: Basic Civitas Books, 2005);  
http://www.marvingayepage.net/biography/

Contributor:

University of Washington

Entry Categories:

Copyright 2007-2011 - BlackPast.org v2.0 | blackpast@blackpast.org | Your donations help us to grow. | We welcome your suggestions. | Mission Statement

BlackPast.org is an independent non-profit corporation 501(c)(3). It has no affiliation with the University of Washington. BlackPast.org is supported in part by a grant from Humanities Washington, a state-wide non-profit organization supported by the National Endowment for the Humanities, the state of Washington, and contributions from individuals and foundations.