BlackPast.org Facebook BlackPast.org Twitter

Donate to BlackPast.org BlackPast Blog
  • African American History
  • African American History in the West
  • Global African History
  • Perspectives

NOTE: BlackPast.org will not disclose, use, give or sell any of the requested information to third parties.

17 + 2 =
Solve this simple math problem and enter the result. E.g. for 1+3, enter 4.

Rock the Vote

NAAAS & Affiliates 27th Joint National Conference

Shop Amazon and help BlackPast.org

Blackpast.org in the Classroom

Marshall, Harriet Gibbs (1868-1941)

Image Ownership: Public Domain
A pioneer in the world of African American music education, Harriet Gibbs Marshall was born in Victoria, British Columbia on February 18, 1868 to Mifflin Wistar Gibbs and Maria Ann (Alexander) Gibbs. In 1869 her family moved to Oberlin, Ohio. Marshall began her study of music at the age of nine and continued the pursuit at the Oberlin Conservatory of Music where she studied piano, pipe organ, and voice culture. Graduating in 1889, she was the first African American to complete the program and earn a Mus.B. degree, which at the time was Oberlin’s equivalent of a Bachelor of Music degree.

Marshall trained in Europe after graduating and in 1890 returned to the United States to found a music conservatory at the Eckstein-Norton University, an industrial school in Cane Springs, Kentucky. At the beginning of the 20th century, Marshall held the position of supervisor for the District of Columbia’s African American public schools, Divisions X-XIII, and served as the divisions’ director of music.

To provide African American students with advanced musical training within the conservatory structure, she founded the Washington Conservatory of Music in 1903. It was later renamed the Washington Conservatory of Music and School of Expression when the school expanded to include drama and speech. In establishing a school exclusively operated by African American musicians for the advancement of African American education, Marshall realized a lifelong goal.

Harriet Gibbs married Napoleon Bonaparte Marshall, a Massachusetts lawyer, in 1906. Together they promoted her conservatory, but his career would eventually draw her away from her work in music education for years at a time. In 1922 she accompanied her husband to Haiti, where he was sent by President Warren G. Harding to be a part of the U.S. legation. They lived there for six years, during which time she founded the Jean Joseph Industrial School in Port-au-Prince and worked extensively with Haitian social welfare charities.

After Napoleon Marshall died in 1933, Harriet Marshall refocused her attention on the Washington Conservatory of Music and School of Expression. In 1937, as an expansion to the conservatory, she founded the National Negro Music Center as a resource to both promote creative work and to preserve traditional African American music. Marshall’s conservatory was a landmark in the history of black education. The Center sponsored regular concerts for the black community, trained many prominent musical professionals and attracted the nation’s most talented musicians as teachers. It remained in operation until 1960.

Harriett Gibbs Marshall died on February 25, 1941 in Burrell’s Private Hospital in Washington, D.C. She was seventy-three years old.  

Sources:
Alice Allison Dunnigan, The Fascinating Story of Black Kentuckians: Their Heritage and Traditions (Washington, D.C.: Associated Publishers, 1982); Doris E. McGinty, “Gifted Minds and Pure Hearts: Mary L. Europe and Estelle Pinckney Webster,” The Journal of Negro Education 51:3 (Summer 1982);  Darlene Clark Hine, ed., Black Women in America (Oxford: Oxford University Press, 2005); Rayford Logan and Michael R. Winston, eds., Dictionary of American Negro Biography (New York: W.W. Norton, 1982); Eileen Southern, The Music of Black Americans: A History (New York: W.W. Norton, 1997).

Contributor:

University of Washington

Entry Categories:

Copyright 2007-2017 - BlackPast.org v3.0 NDCHost - California | blackpast@blackpast.org | Your donations help us to grow. | We welcome your suggestions. | Mission Statement

BlackPast.org is an independent non-profit corporation 501(c)(3). It has no affiliation with the University of Washington. BlackPast.org is supported in part by a grant from Humanities Washington, a state-wide non-profit organization supported by the National Endowment for the Humanities, the state of Washington, and contributions from individuals and foundations.