Facebook Twitter

Donate to BlackPast Blog
  • African American History
  • African American History in the West
  • Global African History
  • Perspectives

NOTE: will not disclose, use, give or sell any of the requested information to third parties.

2 + 1 =
Solve this simple math problem and enter the result. E.g. for 1+3, enter 4.

Rock the Vote

NAAAS & Affiliates 27th Joint National Conference

Shop Amazon and help in the Classroom

Patton, Charley (1891-1934)

Image Ownership: Public Domain
Charley Patton, born in Hinds County, Mississippi near the town of Edwards, is by consensus the Father of Delta blues and one of the most important American musicians of the 20th century.  Legendary bluesmen Son House, Howlin’ Wolf, Robert Johnson, Muddy Waters, John Lee Hooker, and Elmore James all trace their blues style back to Patton.

In addition to being a bluesman of the highest order, Patton might have also been the first rock and roller. He played the guitar loud and rough, often playing behind his knees and back and leaping about like a man possessed. One can begin with Patton’s protorock roots and see them extend to Howlin’ Wolf, then into Little Richard, James Brown, and ultimately Jimi Hendrix.

Although generally considered to be African American, Patton’s ancestry was a mixture of white, black and Cherokee. One of his grandmothers was full blood Cherokee. Patton described that mixed heritage in “Down the Road Blues,” singing of having gone down to “the Nation” and “the Territo” which was the Cherokee Nation of Indian Territory (now the eastern half of Oklahoma) where a number of black Indians tried to obtain entry to the Indian rolls and thus claim land, a legal battle which continues to this day.

When he was a child Patton’s family moved from the Mississippi hill country to the Delta to work on the Dockery plantation. It was here that both John Lee Hooker and Howlin’ Wolf came under the influence of Patton. Here he also came into contact with Henry Sloan, one of the earliest Delta bluesmen.

By age 19 Patton had become an accomplished performer and songwriter. Patton hoboed around the Delta playing parties, one-room juke joints, and levee camps, often with guitarist and friend Willie Brown. Patton finally got a chance to record in 1929 after he auditioned for Henry Speir, a white music store owner. Spier contacted Paramount Records and set up a recording session in Richmond, Indiana. On this session Patton recorded fourteen sides, one of which, “Pony Blues,” became his first released recording and ultimately his trademark tune.

Patton’s second session took place at Paramount’s studio in Grafton, Wisconsin with Delta fiddler Henry “Son” Sims. In 1930 Paramount issued thirteen Patton records and Patton became a certified country blues star.  Often performing with Son House, Patton took House, Willie Brown, and pianist Louise Johnson with him to Grafton for his third recording session in 1933.

In 1934, despite failing health, Patton traveled to New York City to record for the American Record Company. One of the songs he cut, “Oh Death,” was tragically prophetic. Just a few months later, Patton died of a heart condition. He was forty-three years old. Charley Patton was inducted into the Blue’s Foundation Hall of Fame in 1980.

Robert Santelli, The Big Book of the Blues: A Biographical Encyclopedia (New York: Penguin Group, 2001); Giles Oakley, The Devil’s Music; A History of the Blues (New York: Da Capo Press, 1997).


Independent Historian

Entry Categories:

Copyright 2007-2017 - v3.0 NDCHost - California | | Your donations help us to grow. | We welcome your suggestions. | Mission Statement is an independent non-profit corporation 501(c)(3). It has no affiliation with the University of Washington. is supported in part by a grant from Humanities Washington, a state-wide non-profit organization supported by the National Endowment for the Humanities, the state of Washington, and contributions from individuals and foundations.