Godfrey Cambridge (1933-1976)

October 14, 2010 
/ Contributed By: Michelle Granshaw

Godfrey Cambridge|

Godfrey Cambridge

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Godfrey MacArthur Cambridge, actor and comedian, was born in New York City in 1933.ย  His father Alexander Cambridge and his mother Sarah Cambridge were born in British Guiana.ย  They moved to Sydney, Nova Scotia, Canada and then Harlem, New York.ย  Before emigrating, his father worked as a bookkeeper and his mother worked as a stenographer.ย  In New York, they worked as a day laborer and garment worker, respectively.ย  Cambridgeโ€™s parents disapproved of the New York City school system, so as a child, Cambridge lived with his grandparents in Sydney where his grandfather worked in a coal mine and ran a grocery store. When Cambridge was 13, he moved back to New York and attended Flushing High School.

In 1949, Cambridge won a scholarship to Hofstra University.ย  Three year later, he dropped out of school to become an actor.ย  His 1956 performance in the Off-Broadway show Take a Giant Step opened the door to several television and Broadway roles. Cambridge also started performing stand-up in local comedy clubs.ย  Nonetheless during this time he worked a cab driver, bead-sorter, ambulance driver, gardener, judo instructor, and clerk for the New York City Housing Authority.

In 1961, Cambridge played Diouf in an Off-Broadway production of Jean Genetโ€™s The Blacks and won an Obie award for his performance.ย  The following year Cambridge was nominated for a Tony Award for his role in Ossie Davisโ€™s Purlie Victorious in 1962.ย  The same year, he married actress Barbara Ann Teer, who he divorced in 1965.

After performing in the film adaptation of Purlie Victorious entitled Gone Are the Days! (1963), Cambridge joined the Greenwich Village integrated comedy revue, Living Premise, and continued performing comedy gigs on the college circuit.ย  He earned national fame for his comedy after he appeared on The Jack Paar Show in 1964.ย  That appearance led to performances in top-tier comedy clubs and earned him a contract with Epic records.ย  Cambridge recorded four comedy albums: Ready or No, Hereโ€™s Godfrey Cambridge, Them Cotton Pickin Days Is Over, Godfrey Cambridge Toys with the World, and The Godfrey Cambridge Show between 1960 and 1965.

In the late 1960s, Cambridge performed a variety of roles on stage and screen.ย  His body of work includes The Troublemaker (1964), The Presidentโ€™s Analyst (1967), A Funny Thing Happened on the Way to the Forum (1967), How to Be a Jewish Mother (1967), The Busy Body Braverman (1968), Cotton Comes to Harlem (1970), and The Watermelon Man (1970).

In the 1960s, Cambridge took up photography and displayed his photographs in a New York City exhibit. He also wrote Put-Ons and Put-Downs (1967).ย  Godfrey Cambridge died of a heart attack in Hollywood on November 29, 1976.ย  He was 43.

About the Author

Author Profile

Michelle Granshaw is an Associate Professor and Director of Graduate Studies in the Department of Theatre Arts at the University of Pittsburgh. She is affiliate faculty with the Global Studies Center, the European Union Center of Excellence/European Studies Center, Gender, Sexuality, and Women Studies Program, and Cultural Studies. At Pitt, she teaches in the BA, MFA, and PhD programs and mentors student dramaturgs. Granshaw was honored to receive the University of Pittsburghโ€™s 2021 Dietrich School of Arts and Sciences Excellence in Graduate Mentoring Award.

As a cultural historian, her research focuses on disenfranchised, and migrant communities and how they shaped and were influenced by the embodied and imaginative practices within theatre and performance. Her research interests include U.S. theatre, popular entertainment, and performance; performances of race, ethnicity, gender, and class; global and diasporic performance; and historiography.

Granshawโ€™s articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Popular Entertainment Studies, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. In 2014, Granshaw was awarded the American Theatre and Drama Society Vera Mowry Roberts Award for Research and Publication for her Theatre Survey (January 2014) article โ€œThe Mysterious Victory of the Newsboys: The Grand Duke Theatreโ€™s 1874 Challenge to the Theatre Licensing Law.โ€ Her book, Irish on the Move: Performing Mobility in American Variety Theatre (University of Iowa Press, 2019) argues that nineteenth-century American variety theatre formed a crucial battleground for anxieties about mobility, immigration, and ethnic community in the United States. It was named a finalist for the 2019 Theatre Library Association George Freedley Memorial Book Award and supported by grants and fellowships including the Hibernian Research Award from the Cushwa Center for the Study of American Catholicism at the University of Notre Dame, American Theatre and Drama Society Faculty Travel Award, and Harry Ransom Center Research Fellowship. โ€œInventing the Tramp: The Early Tramp Comic on the Variety Stage,โ€ part of Irish on the Moveโ€™sfirst chapter, also won the 2018 Robert A. Schanke Theatre Research Award at the Mid-America Theatre Conference. Currently, she is working on a new monograph titled The Fight for Desegregation: Race, Freedom, and the Theatre After the Civil War. In November 2022, she received an American Society for Theatre Research Research Fellowship in support of the project.

Granshaw currently serves on the Executive Board for the American Theatre and Drama Society (term 2021-5) and co-organizes ATDSโ€™s First Book Bootcamp and Career Conversations series.

CITE THIS ENTRY IN APA FORMAT:

Granshaw, M. (2010, October 14). Godfrey Cambridge (1933-1976). BlackPast.org. https://www.blackpast.org/african-american-history/cambridge-godfrey-1933-1976/

Source of the Author's Information:

Godfrey Cambridge, Put-Ons and Put-Downs (New York: Simon & Schuster, 1967); Louie Robinson, โ€œGodfrey Cambridge Wins โ€˜Battle of the Bulge,โ€ Ebony (October 1967); Joseph Boskin, โ€œGodfrey Cambridge,โ€ in African American National Biography: Volume Two, ed. Henry Louis Gates, Jr. and Evelyn Brooks-Higginbotham (New York: Oxford University Press, 2008).

Further Reading