Alyne Dumas Lee (1903-1970)

November 06, 2018 
/ Contributed By: Benjamin Baker

Alyne Dumas Lee

Alyne Dumas Lee

Photo by Carl Van Vechten

Lyricย soprano soloistย Alyne Dumas Lee was born on March 22, 1903, in Knoxville,ย Tennessee, to Joseph and Clora Dumas. She spent her childhood in Cincinnati,ย Ohioย and Chicago,ย Illinoisย developing her musical abilities. At age eight, Lee was her local churchโ€™s organist, and by thirteen she had obtained a musical diploma and begunย teachingย piano.

Lee attended Oakwood Junior College inย Alabamaย (nowย Oakwood University) in the early 1920s. When her mother died in 1922, she dropped out of school and taught piano. Later, she earned a Bachelorโ€™s in Music from the Detroit Institute of Musical Arts inย Michigan and received additional training from masters in New York City,ย Germany, andย France. Lee married a singer and minister, John Frank Lee, and for years taught piano and directed her local church choir.

Lee made her major debut as a lyric sopranoย soloistย when she performed Handelโ€™sย Messiahย at Detroit Art Institute Lecture Hall on November 17, 1948. After a move to Chicago in 1949, Leeโ€™s professional career was managed by concert promoter and manager Bertha Ott. In the summer of 1950, Lee was a co-winner, with Theodore Lettvin, of the Michaels Memorial Award, the first African American to receive the distinction. The awardees performed with William Steinberg and the Chicago Symphony Orchestra on WGN radio on the first broadcast performance of the Ravinia Festival.

On October 26, 1952, Lee debuted at New York Cityโ€™s Town Hall.ย The New York Herald Tribuneย exclaimed that โ€œAlyne Dumas Leeโ€™s performance is one of the most finished and exciting to be heard anywhere.โ€ Critic Louis Biancolli wrote that โ€œgreat voices are still few and far between. Miss Leeโ€™s is one of the few.โ€

Over the next decade, Lee performed scores by Bach, Mozart, Handel, as well as Negro Spirituals, singing in four languages, in the great musical halls of Chicago, New York City, Los Angeles (California), London (UK), Paris, and Rome (Italy). Lee was accompanied in numerous performances by Leonard Bernstein, the Chicago Symphony Orchestra; Nicolai Malko, the Grant Park Symphony Orchestra; Eugene Ormandy, and the Philadelphia Orchestra. She appeared onย television and radioย across the United States.

Reviews of Leeโ€™s performances appeared in theย New York Times,ย Chicago Tribune,ย Washington Post, andย Los Angeles Times. Claudia Cassidy (Chicago Tribune) wrote that Lee has โ€œone of the genuinely beautiful voices of our time.โ€ โ€œMiss Lee is doubtless a dramatic soprano whose breadth of utterance reaches far outside the recital hall into the operatic beyond,โ€ stated Seymour Raven (Chicago Tribune). Julian T. Sullivan (Indianapolis Star) said that Leeโ€™s โ€œname belongs in the same breath with that of Marian Anderson.โ€

After heart attacks in 1962 and 1964, Lee severely cut back on her public performances. In 1962, she began teaching voice repertoire at the Cosmopolitan School of Music in Chicago. A lifelongย Seventh-day Adventist, Lee was Oakwood Collegeโ€™s first Artist in Residence from 1966 to 1970, while also a professor of voice in the music department.

Alyne Dumas Lee died from a massive heart attack on March 30, 1970, at the age of 67, leaving behind her two adopted daughters, Angela Lee Merriweather and Susan Lee Baker.

About the Author

Author Profile

Benjamin Baker has degrees in theology, education and history. He has authored or edited five books and over 100 articles, and was a college professor from 2002-2006. In 2010 he created blacksdahistory.org. From 2011-2015 Baker was the Assistant Archivist at the headquarters of the Seventh-day Adventist Church, and in April 2015 was appointed Managing Editor of the Encyclopedia of Seventh-day Adventists.

CITE THIS ENTRY IN APA FORMAT:

Baker, B. (2018, November 06). Alyne Dumas Lee (1903-1970). BlackPast.org. https://www.blackpast.org/african-american-history/lee-alyne-dumas-1903-1970/

Source of the Author's Information:

Doris Evans McGinty, A Documentary History of the National Association of Negro Musicians (Chicago: Center for Black Music Research, Columbia College, 2004); Raoul Abdul, Blacks in Classical Music: A Personal History (New York: Dodd, Mead & Co., 1977); Bertha Ott Papers, 1890s-1961, Chicago Collections,ย https://explore.chicagocollections.org/ead/newberry/72/h990n58/.

Further Reading