Negro Musicians’ Union, Local 493, Seattle

November 21, 2007 
/ Contributed By: Allison O'Connor

Wang Doodle Orchestra

Wang Doodle Orchestra

Courtesy UW Special Collections

Also known as the Negro Musiciansโ€™ Union, Local No. 493 was formed in 1913 in Seattle. During this time period, locals across the country, under the banner of the American Musicians Federation (AMF), decided to encourage black musicians to form their own unions rather than admit them. The white union, Local No. 76, prohibited black members, and white bands could not hire black musicians. The neighborhoods in which the bands could perform were also divided by race. Although it was not officially stated, black musicians could not play in downtown Seattle; the so-called โ€œdividing lineโ€ was Yesler Way. Some frustrated white musicians such as Ken Boas, Bill Rinaldi, and Traff Hubert actually left Local 76 and joined Local 493 because of this ban.

Although there were obvious downsides to segregation–the limitations on finding work, for example–many black musicians resisted desegregation because of anti-black violence and because Local 493 was actually at the heart of Seattleโ€™s popular jazz scene. Local 493โ€™s โ€œclubhouse,โ€ the Blue Note, located at 1319 East Jefferson Street, functioned simultaneously as a union hall, nightspot, and social club. It held jam sessions every Friday and Saturday night, and all club members (approximately 150 at the height of membership) had a key to the building and were allowed one guest.

As the Seattle jazz music scene slowed in the 1950s, the issue of finding work was a growing concern for many black musicians. At this same time the civil rights movement was expanding and the social climate of the country was changing. The AFM began to look more favorably on union mergers (desegregation). On December 15, 1956, Local 493 voted unanimously to merge with Local 76, which soon followed with a large majority vote in favor of the merger. On January 14, 1958 ,the unions merged completely, ending the history of Local 493.

The results of the merger between these two unions were mixed. Not everyone involved in the process of setting up performances necessarily complied with integration, including club owners, hotel owners, and musicians.ย  Moreover, the Local 493 era could never quite be recaptured after the 1950s.ย  In the 1980s, the Blue Note became a casual lunch diner named Debbieโ€™s.

About the Author

Author Profile

Allison Marie Oโ€™Connor is an undergraduate student at the University of Washington. She is majoring in History with minors in Japanese and Education, Learning, and Society. After graduating she hopes to participate in the Master in Teaching program at her university and get the certification to become a high school Social Studies/History teacher.

CITE THIS ENTRY IN APA FORMAT:

O'Connor, A. (2007, November 21). Negro Musicians’ Union, Local 493, Seattle. BlackPast.org. https://www.blackpast.org/african-american-history/local-493-negro-musicians-union-seattle/

Source of the Author's Information:

Paul de Barros, Jackson Street After Hours: The Roots of Jazz in
Seattle
(Seattle: Sasquatch Books, 1993);
http://www.seattle.gov/music/map/centralarea.htm

Further Reading